Espacios imposibles

From the beginning figures wander randomly within the frame of the canvas, seeking to explore all the possibilities within it, like that symptom of a neurotic who does not know and cannot stop building imaginary spaces without external intervention.

Technical, aesthetic and conceptual development

As mentioned before, neurosis is the main theme of this work, which is produced under the aesthetic search of a generation of synthetic noise and movement, with a channel on the visual perception of how we interpret the image.

For its development and concept, the works of “Lilian Schwartz” and Fred Forest’s quote in A Theater of Pixels on Screen were taken as references: “Our problem,” says Forest, “will no longer be classical art, the contemplation of an object, but the dynamics of the appearance of the object!”.

Through the mechanics of a set of abstract forms, it concludes its presentation with a frequency and stroke that seek to show unstable changes, where each one acts like a spore, leaving a mark and creating labyrinths like thoughts. As a result of and as a consequence of its overlapping nuances, it draws drawings that only with the delivery of the imagination can be conceived for translation without any correspondence of meaning, that is, whether or not it is that illusion, like excesses of thoughts that undermine the head, thus generating images that never remain the same, revealing only what we are prepared to assimilate.

Showing and inviting us not only to see the chaos or propose any solution, but also how we interpret it. Leaving in parallel a fragment of text by José Luis Brea, who argues that: “The power of the visual image of <visual culture> is almost absolute.”

Literature

Redefinición de las practicas artísticas, José Luis Brea.

FRICKE, Christiane. (1999). “Nuevos Medios”. En AAVV. Arte de siglo XX. Vol. II. München: Taschen, pp. 576-590.