Artwork presentation

Beiherhund das Oder die Flipperwaldt gersput 2: Más Beiherhund das Oder que die Flipperwaldt gersput

Artist: Vange01 (Felipe Cuevas Poberezny)

It’s a sequel People already want to see us They’re all ready, it sounds great! It’s a sequel To work in javascript And everyone knows that the second parts are always the worst

We put on another show Function, line, ya, and canvas Play! I thought it was the end But, my friend, you see Again we go again (Let’s go again) We will be able to demonstrate how well we do our sketch Because here we go again

It’s a sequel Nobody uses array The facu knows it well, and there will be nothing to risk It’s a sequel The UNA will bet They have thought about Milei for one more crisis I thought it was the end But, my friend, you see Because here we go again (Let’s go again) We will be able to demonstrate how well we do our sketch Because here we go again

It’s a sequel It will be one more time!

With more games to play And no more yayo cameos

It’s a sequel

I don’t want to be a party pooper, But this is the eighth sequel to our original work

It’s a sequel It’s good to try

It’s a matter of finding a script

Uh oh, how about we follow Fricke’s ideas about new media and interactivity, making something that attempts to redefine what it is to see a work, and in which the experience of participating is as important as what is in the work?

I don’t know, Tina, does anyone have a better idea?

What if we leave the professorship and next year we go to an easier one?

Tempting, does anyone have a different idea?

I know! We can make a work based on Arns’ texts, using the code and the viewer to make a performative work, where the viewer has to actively participate if they want to see the art.

Sasha, we already made that joke four conversations ago, anyone else?

Mit szólnál ahhoz, ha készítenénk egy mély alkotást, amely rólad mint egyénről és a művészettel való kapcsolatodról szól?

People don’t like works in such exotic languages, Dracula, another idea?

Vange, how about we take the tp1 and just put a 2 next to it?

It’s perfect!

I thought it was the end But, my friend, you see Because here we go again We will be able to demonstrate how well we do our sketch Because here we go again It’s a sequel The same as yesterday What name will it have? How about “Museum again”? It’s the Museum again
At the Museum again It is the Museum Again!

COURT!

Well guys, that was very good. I think we have this take nailed, let’s take a break before the next take…

Philip, wait! You’re forgetting about the credits!

Well remembered Sasha, Many thanks to rainbo6003 for letting us use his cover of “Oh! I’m Lucky”! And all rights to Moonlight Syndrome belong to Human Entertainment’s (Although it would be nice if they released it in the West)! Ready, with that everything is done…

Now, let’s all go! We haven’t recorded the song yet about why they have to approve us with a 10 and the work is due tomorrow!

Literature

FRICKE, Christiane. (1999). “Nuevos Medios”. En “AAVV. Arte de siglo XX. Vol. II. München: Taschen. pp.576-590.

ARNS, Inke. (2005). “El código como acto de habla performativo”. En Revista Artnodes, Julio de 2005, ISSN 1695-5951

Canal de rainbo6003: https://youtube.com/@rainbo6003?si=bS227UU64CJcjff0