ATP

In my intention for the debate, I present a popular point of view on contemporary art Faced with the “usual criticism of the enemy of Contemporary Art who would say that these frauds who today are posing as artists depend on a justifying discourse to do the nonsense they make.” However, I don’t think it’s nonsense, some authors generate a new trend of applying more “ingenuity or inventiveness to always be able to leave a hidden side.” I also wonder, how can we share art so that it is understood? Do you really seek or need to be understood? Is it a lack of understanding or interpretation that brings these disqualifying comments?

Technical, aesthetic and conceptual development

Artists always communicate expressions, ideas, moments, they bring their works closer to us to exhibit their expression, that same work may have the intention of communicating something or No, artists can mark the field in their works, adding or removing material, color or objects to convey the atmosphere they wish. Even so, there have always been and will be receivers who ignore or do not understand the message behind, since they only observe the great techniques of representation.

The way of sharing images has become so technical that it is impossible not to understand them due to technical errors, now if they become misunderstood; it would only be for performative intentions “The time had come to do something else” said César Aira, so that people perceive it in a different way, I believe that the richest thing about contemporary art is to invite the recipient to asking “why?” and that is where this type of works lies, in multiple universes that are created within the interpretations of each unit, not to mention if we convert the receiver as a participant/author of the work, he could find many more ideas behind a simple operation such as a simple ball connected to another inside or outside of a space, that is what the work is about, being suitable for all audiences and driving them to action in addition to marginalizing the exclusivity of those who want to bring it to a framework unattainable intellectual.

Literature

AIRA,Cesar.(2010). “Sobre el arte contemporáneo”. Editorial:Grijalbo-Mondadori. TAYLOR, Diana. (2012). 6. “Los nuevos usos de performance.