rotar

Title of the Work: Rotate

Technical, aesthetic and conceptual development

“Rotar” is a digital work inspired by the work “Oscillon No. 40” by Ben F. Laposky and the work of Lillian F. Schwartz at Bell Labs. The work uses circles and rectangles to create a feeling of constant movement and the interactivity of the work allows the viewer to explore different aspects of the drawing. This work reflects on the role of technology in artistic creation, how it has changed our perception of movement and continuity in the digital age. Furthermore, the work invites reflection on the world around us and how the combination of different influences and inspirations can generate new forms of creativity.

What the work wants to give is a reference to the excess of art commented on according to Valerie, Paul in the text The Conquest of Ubiquity; that talks about society and mentions the distribution of sensible reality at home.

Why do I bring up this mention of Valerie? Because with the circular movement and the different figures among them, the circles speak about this infinity of information that we can execute at any place and time, which raises the question if we are constantly having a sensitivity at home that has been previously presented with music, but what about the works? They come to us, not we to them; Before we changed time and moment to be able to see them, now art has to be constantly changing for the viewer to see it, so it is rotating infinitely.

The interactive part refers to the doubt that if we really have ideas or those supposed ideas are the result of a context where every idea has already been invented and what we do is join the machinery of the infinite wheel which we have to move only within it and we become part of the infinite loop.

Literature

Oscillon No. 40. (1952,1968 y 2001). “Bell Labs” Ben F. Laposky,Lillian F. Schwartz.