Estas drogadx en tu bedroom
The objective of my work is to make you part of it while being inside a room, drugged, where your perspective is compromised since it is an illusion. At the same time, seeing that the structures move on their own, you have no choice but to enjoy the moment since this is an uncontrollable situation from which, for now, you cannot get out. If you feel capable of not controlling everything, stay looking at it.
The technique used was with a vanishing point creating a room in perspective through primitive figures (isosceles lines and trapezoids, circles, ellipses, rectangles and parallelograms).
Making intertextuality with the bibliography, I mainly share the idea of Paul Valéry (1) when he says: “We will know how to transport and reconstitute in any place the system of… stimulations - that an object or event provides in any place…”. since through a link I can take you, whether or not we put the work on a projector to another reality, a simulated room in which I arbitrarily determined and designed the conditions; sharing this with Maurits Cornelis Escher, in his works Drawing Hands (2) and Reptiles (3) where an illusion is managed between the work itself since the limit in its perspective is not finite. A su vez como nombra Heinich Nathalie (4):“Se trata, por supuesto, de una obra abierta: lejos de reducirse a los límites materiales del objeto, puede verse enriquecida por los comentarios, interpretaciones, imitaciones… ” explicando que cada une de ustedes, les espectadores tiene su propia perspectiva ya que tienen una historia de vida diferente ampliando los significados de la misma siendo igual o no al que yo les ofrezco.
Bibliografía:
1-Paul Valéry, libro Piezas sobre arte, capítulo: La conquista de la ubicuidad (1928).
4-Heinich Nathalie, La obra más allá del objeto (2014).