Señal, Código, Verificación.

The three axes of each sentence contain words that are randomly reconfigured, bringing into play tensions between obviousness and contradictions. This fluctuation in meaning does not point to a truth, but rather appeals to the sensitivity of the performer to be interpreted.

Reflecting on Marshall McLuhan’s definition of message: what new rhythms or patterns are introduced into human affairs? What new meaningful relationship appears between word and image?

Instructions for use

Right click to play the audio and trigger the random selection.

Biography

Sofía Aguirre Addy (b. 1993) is a visual artist who works with photography and video. Her analog photography works point to the unexpected in everyday life, the ordinary transformed into an object of observation.

Subsequently, in her digital works, the use of elements such as water and light is recurring as a medium to create abstract images and impossible worlds. She is interested in chance and polysemy, which find expression through the conjunctions between word and image.

Lives and works in Buenos Aires.